Month: June 2012

In Cold Blood

I just finished reading In Cold Blood by Truman Capote.

The real triumph of this book, for me, was the structure. We are introduced to the victims and their killers. And then the murders are glazed over in order to delve into the backgrounds of the murderers, to provide glimpses into the effect the murders have on the community and detectives pursuing the case. And then, after humanizing the criminals as well as the detectives and victims, the crimes come to life in vivid and sad detail. Then we follow the murderers all the way to the end of the line–through the trial and beyond.

There’s a very good reason this book is the archetype for true crime. It’s brilliantly put together, with moments of real grief and horror interspersed with a journalistic accounting of the events.

I’m really looking forward to picking up Breakfast at Tiffany’s.

Thoughts Sparked from Jessica Park’s Essay

Yesterday I posted a couple of excerpts from Jessica Park’s essay on how Amazon.com made her career thrive.  It got me thinking about how impossible it is to sell a novel that falls outside the traditional (or currently popular) boundaries. I like stories about young people who are struggling to establish themselves. And that’s a niche with no market. Nobody publishes books about college-age women that are not romance novels. Though that will likely change.

But then I took a look at Galley Cat’s Self-Published Bestsellers List for this week and found that a few of those novels–enough to notice–were also in that same gray area, the area publishers largely ignore.

Beautiful Disaster by Jamie McGuire would likely never have been published at a traditional house. It’s pretty controversial (and I don’t think I’d like it because I don’t enjoy mean boyfriends in my fiction) but it seems to have struck a chord. And it’s set among college-age people. Jessica Park’s book Flat-Out Love? Also features a college-aged protagonist. Slammed by Colleen Hoover? Protagonist is 18.

And that’s just from the Amazon.com list. Traditional publishers take note…you’re missing a market.

Jessica Park Takes Down Traditional Publishing (from the author’s POV)

This essay on Indie Reader on how Amazon is giving her room to grow and create (where traditional publishing failed) has made the blog rounds and is fascinating.

I agree with many of her points–though very few publishing professionals live the high life and enjoy long summers in the Hamptons! But her points are still incredibly valid, particularly:

I have a lovely, smart, powerhouse agent, who tried to sell my next book, Flat-Out Love, to every major publishing house. She adored the story and thought it would sell. Fourteen editors turned it down, although each one said how strong the book was. But, editors seemingly didn’t give a crap about whether or not they liked the book. What they did pay attention to were their totally misguided ideas about what would and wouldn’t sell. I heard two things over and over again about my book. The first was that my story starred an eighteen-year-old college freshman, and that age was “categorically” too old for YA books and too young for adult books. It seems that one is not allowed to write about characters between the ages of eighteen and…what? Twenty-five? Because… because… Well, I’m not sure. The second thing I heard was that because my simultaneously-too-young-and-too-old heroine was not involved with anything slightly paranormal, the book wouldn’t sell.
SO SO SO TRUE.
Publishers pay terribly and infrequently. They are shockingly dumb when it comes to pricing, and if I see one more friend’s NY-pubbed ebook priced at $12.99, I’m going to scream. They do minimal marketing and leave the vast majority of work up to the author. Unless, of course, you are already a big name author. Then they fly you around the country for signings and treat you like the precious moneymaking gem that you are. The rest of us get next to nothing in terms of promotion. If your book takes off, they get the credit. If it tanks, you get the blame.
Also entirely true.
Her heartfelt essay caught the attention of Jeff Bezos and he made it the focus of a note on the front page of Amazon. I’m guessing her sales are going pretty well today.

Book Lust Rediscoveries

I know, as a person working in publishing that has a master’s degree in library science I should rue Amazon and it’s e-book revolution.

However, as a consumer and avid reader? I can’t seem to do anything but marvel at how they are seeking to fulfill my book needs. Celebrity librarian Nancy Pearl is curating a new series for Amazon called Book Lust Rediscoveries:

Book Lust Rediscoveries is a series devoted to reprinting some of the best (and now out of print) novels originally published between 1960-2000. Each book is personally selected by Nancy Pearl and includes an introduction by her, as well as discussion questions for book groups and a list of recommended further reading.

The first title is available (and free to borrow if you’re an Amazon Prime member).

Needless to say A Gay and Melancholy Sound is now on my summer reading list!

Self-Publishing Obsessing

I am in the preliminary stages of negotiating to edit a novel that will be self-published. I’m excited about this prospect because I love the current tumultuous landscape of self-publishing and all the upheaval Amazon and e-books are causing. I know I should be nervous about this revolution, but I mostly just want to eat popcorn and watch the show.

Blogger Christiana Miller put together this round-up of helpful links for aspiring e-book self publishers. I think it’s awesome.

Book Thoughts: Last Night at the Lobster by Stewart O’Nan

I expected to love this book. It takes place on a single day. A snowstorm is coming and the Red Lobster is closing forever. This is an oddly promising scenario to me.

I spent much of my twenties waiting tables. I did a particularly long off-and-on stint at an ailing T.G.I. Friday’s in Flint, Michigan. Eventually it shut down.

While I enjoyed the overall mood and tone of this little book I have to say that the detailed inner workings of a restaurant, as seen through the eyes of an overly loyal middle manager, don’t particularly fascinate me. Of course, my disinterest in the seemingly sad but “real” lives of the staff is partly because I’ve met these people–they are real so far as that goes–but they lacked the spark that most restaurant employees who’ve worked together for a spell enjoy.

The inappropriate sexual humor was nonexistent. The endless banter between front of the house and back of the house staff was missing. The big dreams that most wait staff secretly harbor was long gone from this crew.

Honestly? Any manager as dedicated to minutiae as Manny was? Would probably have been promoted long before the Lobster closed.

I think the characters, such that they were, felt real. But the sparks that existed in every restaurant I ever worked at–Fridays, Damon’s, and a host of others (from crappy bars to upscale steak houses)–was just missing. And in its place? Was a lot of worrying about checklists and protocols that nobody would have followed on a restaurant’s last day, even if they were being moved over to the Olive Garden up the road.